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MCC – PILOT EDITION VOLUME 1

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  MCC – PILOT EDITION VOLUME 1 Foundations and Structural Routine 1 of the Cuban Casino Square Method After more than 28 years of research, development, and formulation, access is opened for the first time to: THE PILOT EDITION OF VOLUME 1 OF THE CUBAN CASINO SQUARE METHOD (MCC) What is this edition? This is not a conventional dance book. It is the first complete structural formalization of Cuban Casino dance as a technical, reproducible, and systematized method. For decades, Cuban Casino has been transmitted empirically, without a clear structural framework. This volume establishes: a defined structural foundation a proprietary technical language a reproducible model of choreographic execution What does Volume 1 include? This pilot edition introduces the foundational development of the MCC system, organized into structured modules: 1. Foundations of the Cuban Casino Square Method scientific approach applied to dance distinction between empirical dance and well-formed dance concep...

How Many Theories Does the Method of the Casino Square (MCC) Have?

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  How Many Theories Does the Method of the Casino Square (MCC) Have? Introduction The Method of the Casino Square (MCC) , developed by Yoel Marrero , is a theoretical and methodological system for understanding, teaching, and developing Cuban social dances , especially Casino , Son , and Danzón . One of the key questions is: How many theories make up the MCC and how are they structured? The answer is precise: The Method of the Casino Square (MCC) is composed of 21 theories organized into 3 fundamental modules. General Structure of the MCC Practical-Teaching Module Theoretical-Professional Module Social-Philosophical Module Practical-Teaching Module Methodological Theory Theory of Choreographic Motion Theory of Rhythmic Distribution Theory of Choreographic Composition and Structure Theory of Choreographic Notation and Nomenclature Theory of Choreographic Navigation Theory of Choreographic Leading Theory of Choreographic Optimization Theory of Choreographic Topology Theory of Choreog...